Two halves of a Zodiac Coin at the BBC
The BBC's Peter Salmon and Lorraine Heggessey
Peter Salmon seems fated to do the hard bits, with his money-
conscious Taurus sun opposed by Saturn at birth, a symbol of
limitation. He has been a safe pair of hands during a cash-
starved era, and it is ironic that just as Greg Dyke, another
Taurean, finally delivers more booty, Salmon won't get to spend
it. Now he is off to Sports, where the BBC is chronically unable
to compete with cash-rich commercial channels. Even so, he should
be happier because his unexpressed Jupiterian creativity can
loosen up and play games with the BBC's sporty Sagittarian
planets.
Heggessey has strong links with two of the principal
horoscopes for the BBC. Its Capricorn Royal Charter (1 Jan 1927)
has Saturn conjunct the Moon. Heggessey, born on its first 29-
year Saturn cycle, is fittingly symbolised as the first woman
(Moon) controller (Saturn). The horoscope for BBC television,
timed for the first public broadcast (3pm, 2 November 1936),
shows it as a Scorpio. Heggessey has immediate affinity here,
with all the tough, determined and transformative energy of the
Scorpion, more daring than her Taurus opposite number.
Mark Thompson, Director of Television, describes her
"tremendous energy and fierce commitment", and Heggessey's
aggressive Mars is placed exactly on the Ascendant of this BBC TV
horoscope. The rationale of her appointment is for her to go in
like the SAS in the ratings war. Little wonder she likes
Warriors. When she combines her sex, death and secrets Scorpio
instincts with the clinical Virgo in her horoscope, we see Animal
Hospital, The Human Body and Biteback. Scorpio may also tempt her
into controversy. Her stint as producer of The Underworld,
interviewing Mad Frankie Fraser, shows the Plutonic side of her
Scorpio colours, but this type of programming may prove too near-
the-edge for prime time television. Mars often brings trouble in
its train, and although things may be rosy between her and Dyke
at present, the contacts in their charts are oppositions,
suggesting divergences of opinion when the honeymoon is over.
Because this job comes under humourless Saturn, despite all
her talent and energy, Heggessey should be prepared for the same
flattening influence felt by Peter Salmon. She carries the BBC's
burden of being a public service broadcaster in competition with
commercial genre channels. Apart from slugging it out in the
ratings war, with Heggessey leading from the front, the
unanswered question remains: what is the BBC for?